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Shahana Rajani: ‘In drawing, in remembrance’

Ming Pao: 以片記畫 以畫記河 巴基斯坦流離者呼召消失的家

 

‘Reframing Strangeness: Ha Bik Chuen’s Motherboards and Collagraphs’

Ming Pao: 工人階級藝術家自學成才 夏碧泉「母版」首展 從城市到外星看藝術實踐

ArtReview China: ARC 展評|夏碧泉的藝術與「夏碧泉檔案」:評「重置陌像」

Artomity: Ha Bik Chuen 夏碧泉

 

Wing Po So: ‘Take Turns’

Zolima Citymag: An Apothecary of Forms: So Wing-po Experiments With Materials

RTHK: The Works 2025-04-16

 

Art Basel 2025

The New York Times: Art Basel Hong Kong’s Film Program Blends Facts, Fiction and Fantasy

Tatler: Is film considered art? Here’s how non-profit art space Para Site redefines it at Art Basel Hong Kong

SCMP: Catch ghosts and cyborgs at this year’s Art Basel Hong Kong screenings

 

‘How to be Happy Together?’

Artforum: Critics’ Picks: ‘How to be Happy Together?’

SCMP: Hong Kong art show that’s homage to Wong Kar-wai ponders meaning of home for expat workers

The Art Journal: 「快樂的方式不只一種」:在孔竅叢生的空間中打開對話的通路

Daoju: Be Happy, Together

 

‘The Embrace and the Passage’

Ming Pao: 吞吃鬱結

Artomity: Conversation: Michele Chu

 

Art Labor: ‘Cloud Chamber’

Artforum: Best of 2024: Hung Duong’s Top Ten

ArtAsiaPacific: Review: Art Labor: ‘Cloud Chamber’

e-flux Criticism: Stephanie Bailey on “Cloud Chamber”

 

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Para Site champions original developments in contemporary art by centering artistic voices and innovations. Collaborating closely with practitioners from both local and international contexts, Para Site enables new works, initiatives, and ideas to come into being.