Cultural & Industrial Slaves: A History Lesson from Romani-Romanian Dialectics
Jul 20, 2018
Antonio Mak Hin-yeung Education Room
This session will be conducted in English
Para Site is delighted to present a public sharing session by its current artist-in-residence, Mihai Lukács, of his recent research on the history of Roma slavery from Walachia and Moldova and the abolition of slavery from 19th century. The research focuses on what Lukács terms as the “cultural slaves” -- Roma performers, jesters, acrobats, dancers, musicians, and actors who were all slaves for at least 400 years. The situation of the cultural slaves tells a lot about the condition of the performative artist and the historical perception of performance in Eastern Europe. Employing American historian Saidiya Hartman's concept of "critical fabulation“, Lukács will analyze some of the historical ideas related to Romani people and (intellectual) property, cultural production, capitalism, modernity, tradition, progress or the (imagined) European civilization.
Mihai Lukács (n.1980) is a theatre director, performer, theorist. Lukacs holds a PhD in comparative gender studies from Central European University Budapest with a thesis on the male hysteria of the modernist directors Stanislavsky, Meyerhold and Artaud. His latest performative works include Kali Tras/The Black Fear (2018), Bambina, The Queen of Flowers (2017), blue/orange (2017), Who Killed Szomna Grancsa? (2017), Public Humiliation # 1-3 (2013), Queer Worker (2013), etc. These practices look respectively at the relationship between the Romani people and the gadje, public humiliation, sexual liberation, faith and exclusion, forced evictions and homelessness, and generally speak about vulnerability, weaknesses and inter-subjectivity. He is currently writing a book about Romani slavery abolitionism and modernity.